![]() ![]() Berkeley and Los Angeles: University of California Press. Serial Composition and Atonality, fourth edition, revised. 11 de Schoenberg: principes d'organisation de l'espace musical atonal". ![]() 1 (Tenth Anniversary Issue (Fall–Winter): 43–64. "Sets and Nonsets in Schoenberg's Atonal Music". Supplement to the Archiv für Musikwissenschaft 7. 11: Studien zur frühen Atonalität bei Schönberg. " Schoenberg - Pierrot Lunaire: an Atonal Landmark", LSM Online. "Analysis Two: Schoenberg's Five Pieces for Orchestra: Farben, Op. New Haven and London: Yale University Press. Felt Meanings of the World: A Metaphysics of Feeling, p. Schoenberg's Transformation of Musical Language, p. Stankey Sadie, "Liszt, Franz", The New Grove Dictionary of Music and Musicians, 20 vols. ".and his nearly atonal piano exploration on the intriguing 'The Clothed Woman'.", Historical Dictionary of Modern and Contemporary Classical Music. ^ a b c d e f g h i j k l Gagné, Nicole V.American Record Guide, vol, 54, issue 2 vol. ".marking the near-end of the composer's freely atonal period.and is notable for the manner in which Berg combines atonal and 12-tone music in the same work with ease." ![]() "Alban Berg", All Music Guide to Classical Music: The Definitive Guide to Classical Music, p.140. George Perle, "explains Berg's musical language as a great mixture of devices and techniques-some carried over from atonal style of Wozzeck, other reflecting an idiosyncratic approach to twelve-tone composition that owes relatively little to the ideas of Schoenberg." Reader's Guide to Music: History, Theory and Criticism, p. (Berg's second opera, Lulu, is the only other remote contender.)" "Alban Berg's Wozzeck was the first atonal opera to get anywhere near standard repertory status, and it is still the only one. " Wozzeck Speaks to Us by Mixing Two Musical Modes", The New York Times.
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